Las Reproducciones del Oleo de Europa España no Mínimo

 
 

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Francois Boucher

French Rococo Era Painter, 1703-1770

Pintura Identificación::  144
Leda and the Swan
Leda y Cisne
1741 Stair Sainty Matthiesen Museum, New York
1741 Stair Saenty Matthiesen Museo, Nueva York.
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      

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LEONARDO da Vinci

Italian High Renaissance Painter and Inventor, 1452-1519

Pintura Identificación::  28848
Leda and the Swan
Leda y el Cisne
mk65 Panel 51 3/16x30 1/2in Uffizi,Depository
el Entrepaño mk65 51 Uffizi 3/16x30 1/2in, Depositario
Italian High Renaissance Painter and Inventor, 1452-1519

   
 

 

 
   
      


Pintura Identificación::  28899
Leda and the Swan
Leda y el Cisne
mk65 Oil on canvas 58 1/16x5/ 1/16in Uffizi
el Petróleomk65 en la lona 58 Uffizi 1/16x5/ 1/16in
1518-1594

   
 

 

 
   
      

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Correggio

Italian 1489-1534 Correggio Locations

Pintura Identificación::  33487
Leda and the Swan
Leda y el Cisne
mk86 c.1531/32 Oil oncanvas 152x191cm Berlin,Gemaledgalerie,Staatliche Museen zu Berlin-Preubischer Kulturbesitz
del Petróleo mk86c.1531/32 152x191cm Berlín oncanvas, Gemaledgalerie, Staatliche Berlín-Preubischer Reflexionado de zu Kulturbesitz
Italian 1489-1534 Correggio Locations

   
 

 

 
   
      


Pintura Identificación::  52299
Leda and the Swan
1512-13 Oil on wood, 55 x 40 cm

   
 

 

 
   
      

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Cesare da Sesto

Italian High Renaissance Painter, 1477-1523

Pintura Identificación::  62288
Leda and the Swan
1505-10 Oil on panel, 69,5 x 73,7 cm Wilton House, Salisbury This is a copy after the lost painting by Leonardo da Vinci
Italian High Renaissance Painter, 1477-1523

   
 

 

 
   
      

This artist (Louis Lcart) is not available now.

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Jacopo Pontormo

Italian 1494-1557 Jacopo Pontormo Galleries

Pintura Identificación::  89817
Leda and the Swan
between 1512(1512) and 1513(1513) Medium Oil on wood cyf
Italian 1494-1557 Jacopo Pontormo Galleries

   
 

 

 
   
      

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Hendrick ter Brugghen

(1588 - Nov 1, 1629) was a Dutch painter, and a leading member of the Dutch followers of Caravaggio ?? the so-called Dutch Caravaggisti. Little is known of the early life of ter Brugghen; he could have been born in The Hague, but his family seems to have moved to the strongly Catholic Utrecht in the early 1590s. Here he started painting at the age of thirteen, studying with Abraham Bloemaert. From Bloemaert, a Mannerist history painter, he learned the basics of the art. Around 1604, however, ter Brugghen travelled to Italy to expand his skills, a rather unusual move for Dutch painters at the time. He was in Rome in 1604, and could therefore have been in direct contact with Caravaggio.

Pintura Identificación::  95743
Leda and the Swan
after 1570(1570) Medium oil on canvas Dimensions 145 x 145 cm (57.1 x 57.1 in) cyf
(1588 - Nov 1, 1629) was a Dutch painter, and a leading member of the Dutch followers of Caravaggio ?? the so-called Dutch Caravaggisti. Little is known of the early life of ter Brugghen; he could have been born in The Hague, but his family seems to have moved to the strongly Catholic Utrecht in the early 1590s. Here he started painting at the age of thirteen, studying with Abraham Bloemaert. From Bloemaert, a Mannerist history painter, he learned the basics of the art. Around 1604, however, ter Brugghen travelled to Italy to expand his skills, a rather unusual move for Dutch painters at the time. He was in Rome in 1604, and could therefore have been in direct contact with Caravaggio.

   
 

 

 
   
      

Hendrick ter Brugghen
(1588 - Nov 1, 1629) was a Dutch painter, and a leading member of the Dutch followers of Caravaggio ?? the so-called Dutch Caravaggisti. Little is known of the early life of ter Brugghen; he could have been born in The Hague, but his family seems to have moved to the strongly Catholic Utrecht in the early 1590s. Here he started painting at the age of thirteen, studying with Abraham Bloemaert. From Bloemaert, a Mannerist history painter, he learned the basics of the art. Around 1604, however, ter Brugghen travelled to Italy to expand his skills, a rather unusual move for Dutch painters at the time. He was in Rome in 1604, and could therefore have been in direct contact with Caravaggio.
Leda and the Swan

        
 
   
 

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